Stuck in the Middle

I always have trouble with the middle parts of a story and scene. Even reading I tend to get bored easily especially now with tv and social media.

But at the same time, the middle can really build or set up crucial parts especially in longer series. It’s great for foreshadowing. Starting other plot devices. Rounding out characters.

I just get stuck on the how.

For example, the first book I’m working on in Peregrina’s story. It’s definitely a negative story arc when you look at the big ideas. The trouble I’m having though is creating middle scenes that progress the lie Peregrina believes and fall’s victim too.

In another way with Klytië the toughest part for me was the middle. After all I know how it ends and how it begins but the middle stuff… it’s hard.

Going back and editing, I either cut a ton of scenes or information or I add more than is needed. Or I end up repotting the whole book.

What do you find is a turn off for the middle build of a story when reading?

3 responses to “Stuck in the Middle”

  1. Stuart Danker Avatar

    Omg tell me about it. My saggy middle always consists of people commuting from one place to another. I don’t know why I always fall back to that habit. But it’s good because I’m learning, at least, and that’s so much more learning than merely reading books on the craft can provide.

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    1. camilegrant513 Avatar

      I do the same! Travel always makes a great way to transition at least even as a place holder scene. I agree recognizing the habit is a great start! Do you find books of the craft sometimes make how to address the middle challenging? (In any sense broad question)

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      1. Stuart Danker Avatar

        I think that books on the craft just makes me feel like I’ve learned something, which can give me a false sense of accomplishment without actually doing anything. That’s the downside.

        If I have a specific question that the book may address though? That’s a different story.

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